Men's Mossimo Gopher Sport Sandals - Tan

Apparel : Men's Mossimo Gopher Sport Sandals - Tan

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Men's Mossimo Gopher Sport Sandals - Tan




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Average Rating:  out of 5 stars
Sales Rank: 1356







Binding: Apparel
Brand: Mossimo
Department: mens
Sales Rank: 1356



Features:
  • Whether your next trek takes you to the woods, the beach or the deck, these sporty sandals make each step an enjoyable one
  • From Mossimo, sandals have suede upper with nylon mesh accents and treaded rubber outsoles
  • Faux suede contoured foot bed and breathable textile lining add to comfort
  • 3 easy-fasten closures keep sandals securely on foot
  • Looks great with shorts, jeans or khakis

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Customer Reviews
Average Rating:  out of 5 stars

Rating: 2 out of 5 stars - A step down
The sandal this one replaced was much more comfortable. The front strap seems to be useless because is is actually attached closed, giving little or no adjustment. The rear adjustment strap is not needed, if it needed to be loosened your heel would be hanging off the back anyway, so lose the back adjustable strap for a permanent one and I'll just buy the right size. With those front and rear adjustable straps comes extra flaps of leather which have rubbed blisters on my feet. I like the leather insole but the cute little pinstripe design started peeling off the first time I tried them on. It's a step down from their previous version. I'm looking for replacements.



Rating: 5 out of 5 stars - These run SMALL, but they're great
* I purchased these for my son in the size he normally wears and they were WAY TOO SMALL. I wear a ladies' size 9 and these men's sandals in a size 9 fit me!! Another reviewer said he found that they run big...I don't get that.

We have three pairs of these shoes in our family (2 pairs for my teenage sons and one for my teenage daughter who likes them). They are great! Terrific value for the money. These are comfortable and look nice. ...



Rating: 5 out of 5 stars - Great Value!
So, after reading the positive reviews of these sandals by others, it seemed like a good gamble to order a pair. It was. I can't believe how well made and comfortable these sandals are. I really appreciate the 3 adustable straps that make them fit snuggly. I normally wear arch supports in my shoes that a podiatrist made up for me, but I can get away with not wearing them because these things fit so well.



Rating: 5 out of 5 stars - Nice Sandals
* This sandal sits up higher than my last pair which was the greatest drawback of my last pair. I kept getting dirt and rocks in it, so this one's much better. The straps keep it well secured, and the cushioning has a peach finish to it so it's pretty comfortable. For the price, I doubt you'd do better. Can't speak for the durability of this since I've only had it for a few weeks and I don't really use it that often. ...



Rating: 4 out of 5 stars - Temporary replacement
I ordered these as a cheap, temporary replacement for a pair of Nike Air Pegasus sandals I have had for about 15 years that are due some maintenance (mainly re-gluing). I was pleasantly surprised at the comfort, although they seem to run a little big (I ordered a 10 and should have gone with a 9 1/2). I am in Iraq and utilize 'community' shower facilities, where I see guys sliding around all over the place in their shower shoes, but these maintain very good traction on wet surfaces. I have actually considered just tossing the Nikes, which were the best shoe I have EVER purchased. Unfortunately, I can't find a new pair like them. For the money, you can't go wrong with these Mossimo sandals. They look great and are very comfortable. If these last 15 years like the Nikes, I'll come back and give them a 5th star.

Tan - Sandals Sport Gopher Mossimo Men's


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Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
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A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
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Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

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Average customer rating: ISBN: 0739043439

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Average customer rating: ISBN: 0739043447
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In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

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Men's Mossimo Gopher Sport Sandals - Tan
Shopping  Created at Fri Sep 5 15:42:23 2008